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Two vagrants occupy a piece of repossessed land. The world they live in exists on the fringe of the fast-developing metropolis in which they are viewed as the rabble, the hoi polloi, indivisible from the neglected debris that forms their landscape.
Depressed and hungry they are in search of an identity and a means out of their brutal reality of dog attacks, thieves, and raiders in uniform. They come across an enchanted object which brings them good fortune and a sense of purpose but comes with sacrifice and responsibility.
It is their only for as long as they can keep it safe. The play makes use of physical language, masks, imagery and sound design to tell the story.
Cash at Door.