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If there is what is called genre, the political signature that Tumi Mogorosi’s Group Theory: Black Music installs, is the aesthetic that blurs this fixture, this category, this fuss. Mogorosi speaks to the signs of the times by way of critical takes, responses, diagnosis, and perpetual questioning. Daringly so, in this performance, Mogorosi and his ensemble are coming together to make an offering.
Mogorosi brings a bold performance that deserves attentive listening which must adhere to the protocols of black study in communion and assembly with the audience. This gathering is about taking a journey together and having sojourns to pause and reflect, taking in what is offered and digesting.